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How to Identify a Gold-Glazed Japanese Pottery Vase
You will find that the word left or right is followed by a japanese number. Once the Satsuma style was seen by the general public and became a popular look, the style was mass produced across the world usually in China and stamped with these sorts of markings. There were many masterpieces created during its heyday and several studios have created eternal fame for their names with these magnificent wares. In the latter case I would probably not throw it away.
Any help re origin of vase, date and or value will be much appreciated.
Karatsu ware, Japanese ceramic ware of Korean origin produced in Kyushu. The actual date of production is thought to be sometime during the first half of the 16th.
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All the toys in the world cannot replace quality time and a tea party is just what is needed to create fun afternoons: pouring tea and giggling with those dearest to you. Antique or old china may be very valuable or worth very little, depending on the manufacturer, condition, rarity and current demand. Nippon porcelain refers to vases, teapots, wall plaques, humidors, and other ceramic objects stamped with the word Nippon on their bases.
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English: Exhibit in the Peabody Essex Museum – Salem, Massachusetts, USA. Date, 11 November , Source, Own work. Author.
How To Read Satsuma Marks
Small Oriental satsuma pottery bowl nicely decorated and hand painted with seated girl in landscape the deep blue outer decorated with gilded leafs, all presented in nice condition. A beautiful, Japanese Satsuma Koro incense burner with associated Chinese wooden lid. Apparently unsigned, the main body is made to resemble a cast iron koro.
Offered for sale is this exquisite early 20th century Japanese antique satsuma bowl with deep cobalt and gilded decoration with hand painted panels depicting Geishas. These are a pair of attractive antique Satsuma vases that have a very colorful charming decoration. Sweet pot bellied Imari vase beautiful hand painted decoration in the rich Imari colours.
A Japanese Satsuma Porcelain Bowl by. Browse Widewalls and discover more auction Date: Event: Fine Art & Decorative Art. Lot Number:
Japanese ceramic arts are legendary and refined; their aesthetics range from the wabi sabi earth pots used in traditional tea ceremonies to exquisitely glazed and painted vases. Satsuma pottery is one style that evolved over centuries to become a sophisticated gold-glazed, highly decorated form of pottery that was widely exported to America and Europe. It is a valuable collectible, with most existing pieces made during the later half of the 19th century and the early part of the 20th.
Satsuma ware is named for a region of Japan where numerous kilns were established in the late 16th century by Koran potters. The earliest clays were brown, and the pottery made in the region was simple and somewhat utilitarian. The style recognized worldwide today did not develop until the midth century and then caught on with collectors in Europe, resulting in a lively export trade and tremendous production.
The ceramics are fired at lower temperatures than porcelain, so Satsuma is a kind of hybrid porcelain-pottery. Collectible Satsuma, dating from the midth century on, may be identified by its ornately decorated polychrome and gold designs on an ivory crackle-glazed ground.
Japanese Porcelain Marks
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anese Export Porcelain and Satsuma Ware Stuttgart: Arnoldsche ence of cinema, to date those interested in pursuing the subject of Deco film in.
Japanese Porcelain Marks Gotheborg. Nikko Nippon Nippon Jap. Height: 38 cm. Mark: Dai Nihon Satsuma Gyokusen zo. Meiji period, circa s. The typical Satsuma ware we most of the time comes into contact with is a yellowish earthenware usually decorated with a minute decoration with Japanese figures, expressive faces or detailed oriental landscapes, or sometimes embellished with vivid dragons in relief.
This ware is in fact an export product specifically designed in the mid 19th century to cater to the western export market. The Japanese themselves had very little interest in this ware. From around the s to the early s more than artist at least twenty larger studios or factories were producing “Satsuma” wares of which much were of low quality and destined for the European and American export markets. Most of the marks below will detail this latter wares since this is what we see most of. At the same time, other artists were producing exquisite wares of the highest quality.
There were many masterpieces created during its heyday and several studios have created eternal fame for their names with these magnificent wares. Most high quality export ‘Satsuma’ is easily recognized by its finely crackled glaze and by the fact that its yellowish earthenware body does not “ring” when tapped.
Satsuma Ware Teabowl
The Sengan-en Brand Shop introduces the pinnacle of Satsuma craftsmanship set against the sumptuous backdrop of Kinko Bay and active volcano Sakurajima. At the end of the Edo period — , the 28th head of the Shimadzu family, Nariakira, began several projects intended to raise the cultural and economic profile of his homeland at the Shuseikan factory complex, now a World Cultural Heritage Site.
Among these products were stunning Satsuma Kiriko crystal glass and highly decorated Satsuma-ware pottery. The Sengan-en Brand Shop brings these unique artisanal items together with products carefully carved from 1,year-old cedar wood from World Natural Heritage Site Yakushima. Satsuma Kiriko is a kind of cut crystal glass first created in Kagoshima in by the 28th head of the Shimadzu family, Nariakira. By combining Chinese techniques for layering coloured glass, European cut glass patterns and the knowhow of craftsmen from the capital Edo, a new and unique kind of cut crystal glass was created.
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Satsuma vases often come in pairs and are elaborately decorated with gold leaf and crackled glaze. Satsuma vases generally depict Japanese themes including scenes of court life, legends and artistic values. Examine the mark on the bottom of the Satsuma vase. Oftentimes, Satsuma markings will have gold Japanese characters on a red background with a gold outline surrounding the red background; the entire marking may be in a square or rectangular shape.
If the marking is rectangular in shape with a separate circular crest above the rectangle, the marking may indicate Gyokuzan, in which case the vase likely dates from to — the Meiji period. One such character indicates “bizan,” which translates to “beautiful. Look for a marking with gold Japanese characters on a black background in a square form, with gold lining the square. This marking may indicate that the vase was produced by the Kinkozan family; the Kinkozan family’s primary production period was from to Certain websites, such as gotheborg.
These three wonderful Satsuma pieces, dating from the late nineteenth to early twentieth century Meiji period were presumably made and painted by the same potter since their decoration is fairly consistent. The Manchurian cranes that feature on all three pieces symbolised longevity of life, while the chrysanthemum was a symbol of purity. The sixteen-petal chrysanthemum crest was also used by the Imperial House.
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The appreciation for Satsuma pottery is not only determined by the quality of the piece itself but also by the time when it was made. As with all pottery and porcelain determining the exact age of a Satsuma object is not easy. Time has hardly any influence on it and a signature, if there is any, is not always in accordance with the truth. The dating will therefore have to be derived from a number of characteristics that can give an indication of the age.
A global attribution as “Late Meiji” or “early Taisho” is usually the highest attainable. In this section we mention a number of comments to consider when evaluating Satsuma pottery. Most experts agree on it, although not everything is without discussion. So it’s just to keep in mind when evaluating a piece of Satsuma. Kinkozan and others occasionally produced high quality porcelain objects.
Porcelain is hard, smooth and white and will never crackle in the same way as Satsuma earthenware do. Some people like and collect it, others find that it lacks the softness and warmth of earthenware, athough they admire the breathtaking brushwork on it. See the picture: First row depicts a 16cm bowl by Shiseki from 19th c. Meiji period.
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The origins of Satsuma Yaki date back to the 16th century. The local feudal lord, Shimazu, returned from the Korean peninsular with some potters who helped to get things started. The wonderful surroundings of Kagoashima have contributed greatly to the development of this ware during its long history spanning some years. During this time, the tireless enthusiasm of the local potters has resulted in a number of original developments, which have given rise to a number of individual styles that are still in production today.
People in Europe were enchanted and soon the name of Satsuma became known throughout the world. Today kilns producing work embodying a great variety of techniques can be found all over the prefecture.
Here are a couple of links dating back about six years to some threads concerning Hododa Satsuma pieces (the indecision about how to.
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